This week, allonymbooks author Evie Woolmore shares her latest experience with a literary agent.
As regular readers of this blog will know, I am happy to be publishing independently, and have largely enjoyed my experience with publishing direct to Kindle. But when I came across Susanna Kearsley’s novel The Firebird (which I reviewed recently) and realised that there were some elements in common with my own novels, I thought I would approach Kearsley’s literary agent, Felicity Blunt, to see if she thought the same. After the usual seemingly endless waiting period (in fact, a modest 4 weeks, which is short by many standards), I received this week a reply.
We enjoyed reading these sample chapters, which stood out from the many we
receive. Ultimately, though, we didn’t feel strongly enough to take the
project further, and therefore I’m afraid we are not able to offer you
representation. This is of course an entirely subjective response, and I
encourage you to continue with this project, and wish you every success with
I wasn’t surprised, nor was I disappointed. Perhaps I shouldn’t have made so plain in my covering letter that I was writing out of curiosity as much as desire for representation. But what struck me was the same question that always arises: what exactly are they looking for? A book they love, or a book that stands out? Everyone wants to feel strongly about books they read: therein lies the pleasure. But doesn’t pleasure belong to the reader? Surely from a commercial point of view, as the seller of books (agent) to another seller of books (publisher), you would rather represent a book that stands out, something original or different, something that isn’t like all the rest. But apparently that still isn’t the case. For if the book market has not moved on then nor has the same reply I have heard so many times before, from agents and editors alike: “I just didn’t feel strongly enough.”
And yet I do. I do feel strongly enough about writing original fiction to publish it myself.