Monthly Archives: September 2012

Stumbling over the past: the Warsaw of Rising Up

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In this week’s blog, Evie Woolmore recalls how a weekend in Warsaw inspired a novel.

To arrive in Warsaw by train at the end of the last century was like waking up inside the memories of one of John Le Carre’s characters in Tinker, Tailor, Soldier, Spy. The train had cut a ponderous path through the Czech Republic, slowing but not stopping at tiny concrete stations on a single line track. Through the dirty windows I glimpsed slender, behatted men, always alone, pulling up the collars of their coats, turning a cold shoulder to onlookers as they lit their cigarettes, waiting, always waiting for something. At every border crossing I had been scrutinised by uniformed soldiers, moustachioed, bushy eyebrowed, curious about the British woman travelling alone through their country. The Iron Curtain had long been torn down but its shadow still seemed to fall, gauzy and grey.

It is not surprising I arrived in a contemplative frame of mind as the train pulled into the subterranean central station. When I emerged into the late October afternoon, I realised why Warsaw nestles shops and walkways beneath the streets – because even on a bright sunny day in autumn, the wind is brutal, scouring the plains all the way from Siberia, and whistling across the sheer glass facades of the endless modern buildings that dominate the modern Warsaw skyline. The roads seemed as wide as the buildings were high, perhaps echoing the Wisla River that cuts a swathe Continue reading →

The Strattons by Flora Chase – a sample

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This week, we offer a first glimpse of the first volume of Flora Chase‘s young adult Edwardian saga, The Strattons. Set in the English countryside in the autumn of 1913, the teenagers of Stratton Hall are about to find their lives changed forever…

If you enjoy Chapter 1, the novel is available at Amazon UK and Amazon US.

To find out more about the novel, visit Flora’s page.

Chapter 1

‘Did someone die?’ exclaimed Blanche Matchingham, as she twirled through the doors into the Drawing Room at Stratton Hall. The peach muslin layers of her dress floated around her most satisfactorily, although frankly the effect was wasted on the others. Her older sister Julia was sitting ramrod straight and prim-as-you-like in the high-backed chair nearest the fireplace, dull and demure in ivory broderie anglaise with barely a dip in the neckline and her arms covered. Opposite Julia stood their brother Freddie, his hands clasped behind his back, the oldest of the three of them and, at least in age, just a man. But his stiff white collar was a teensy bit too high and grazed his chin, his thick, dark hair was refusing to lie down beneath the slick of brilliantine, and he wore the hand-stitched suit from London as though it were a hand-me-down suit of armour.

‘You’re late,’ said Julia in her mousy voice.

‘I couldn’t find my shoes and I was ringing and ringing the bell, but no-one came.’ Blanche looked indignantly at the row of housemaids arranged neatly along the wall, their faces as pale as their aprons against their black dresses. ‘Look at me! My outfit doesn’t match!’

She lifted her skirt in just the way that annoyed Julia, especially in front of all The Staff, and wriggled her foot. Of course, the tiny white shoes looked adorable anyway, and they were her favourites — this week. She glanced slyly at the chauffeur, Charlie, whose eyes were cast down so as not to catch her gaze, but his lip surely twitched around a smile. Of course, he never gave her the satisfaction of knowing she had made him laugh, and he had that way of looking right through her as though she were the least important person in the world, not the attractive sixteen-year-old daughter of the 4th Marquess of Stratton. These House gatherings were So Dull, all this ridiculous formality, The Staff looking so hopelessly out of place against the handprinted Venetian wallpaper while the three Matchingham offspring, the same age as most of the housemaids and footmen, pretended they weren’t there. Blanche sighed noisily, and glanced at the ugly ormolu clock on the mantlepiece. Only eleven o’clock. Ronnie wasn’t expected until lunchtime, but perhaps there was time to run out and call her on the telephone downstairs and beg her to come-over-here-quick-and-stop-me-dying-of-boredom!

‘Please sit down, Blanche,’ implored Julia, her palms hot and damp in her lap. Her stocking-tops were itchy, and the panels of her corset felt even tighter than usual.

I shouldn’t have chosen this chair, she thought suddenly, panic surging through her, this is the chair Papa sat me in when he told me that Ralph had broken off our engagement.

But she couldn’t move, not now all The Staff were here, arranged like sightless statues.

She glanced at Freddie. He was standing exactly where Papa had stood that morning, just out of reach, surely a little ashamed of her. Stiff and awkward, disappointed, bowed over.

Ralph. Julia swallowed her sigh, gulping his name back down into the pit of her stomach where all her misery lay. It had been five long months of hating the staircase down which she had swept on the glorious spring evening of the Easter Ball in her glistening new pale blue ballgown, her fan fluttering coyly in her fingers, picking Ralph out of the crowd of guests who mingled in the Hall. She had sworn she would never go into the orangerie again where she had waited an hour for him, while music and laughter filtered Continue reading →

Pseudonym, allonym, anonym, username…

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allonymbooks posted last week on The Guardian‘s new ‘Authors, tell us about your work!‘ page, and was interested to see that a debate had begun over whether it was appropriate for individuals who don’t normally post comments to The Guardian‘s pages to sign up simply to promote their novels. Contributor kushti had said, ‘Oh my, what a lot of writers have appeared on this site all of a sudden. I shall continue to stick with my policy of keeping to my secret identity and not promoting my books here, but thanks for the offer and good luck all.’ Contributor R042 observed, ‘This is where clicking on peoples’ [sic] usernames is useful; it tells apart those who registered to use this forum, and those who already contribute regularly to the site on subjects other than their own work.’

There are echoes here of the awkwardness I discussed in an earlier blog about self-promotion, but also of a somewhat more critical position I am becoming increasingly aware of as I trample through the ether: that the more blatant and frequent self-promotion that swoops on any and all opportunities on the internet and social media is considered crass by some authors who are choosing their opportunities more selectively. What can be interpreted from the comments above is that a pre-existing presence in the Guardian’s online community is a pre-requisite for being taken seriously when you promote your novel on that page. This implied equation of ongoing contribution being a function of value and credibility is common in other places – the UK Amazon Kindle Forum on Goodreads is a very cheerful place to talk about books, and is very welcoming of indie authors, but the moderators are clear that it is preferred that authors do not just “drop a promo and run”.

This ties in inevitably to the recent ‘sock-puppet‘ revelation concerning RJ Ellory’s penning of complimentary Amazon reviews about his own work and less generous ones about others and it proves, if nothing else, that the internet is a Continue reading →

The enduring appeal of the Edwardians

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With the new season of ITV’s Downton Abbey beginning any day now, thoughts here at allonymbooks recently turned to the popularity of all things Edwardian, not least because both Evie Woolmore‘s novel Equilibrium and our soon-to-be-published Young Adult saga The Strattons by Flora Chase are set in that era. With the BBC’s current stunning adaptation of Ford Madox Ford’s Parade’s End continuing the trend, albeit from a darker, more intense perspective, we asked Evie and Flora to discuss why they chose the period to set their books, and what they think makes it so interesting to contemporary audiences. Continue reading →