The last few months since the firstallonymbooks blog was published has been a period of slow but distinctive change in the arena of independently published books. British book chain Waterstones have embraced the technological shifts by stocking Kindles in their stores, though still show no sign of having the capacity to embrace the indie book market. A leading British newspaper, The Guardian, has begun to publish reviews of indie books, though some work is still to be done by them to define how they can most effectively explore that category of published material without getting ensnared in some preconceptions about the quality and content of the books they will be reviewing.
And allonymbooks has become part of an ever-expanding debate about quality, process, benefits, pricing and promotion of indie books, joining with other authors to challenge assumptions about how these books and their authors should be received and considered by the readership and the publishing marketplace.
So what have we learned?
All fur coat and no undergarments?
A non-publishing acquaintance said the other day they were in awe of how much wordage allonymbooks had generated in the process of publishing and promoting Evie Woolmore’s books. On the contrary, however, in terms of the unfettered stream of tweets and posts emitted by other authors, allonymbooks has been rather mute in comparison, Continue reading →
As part of our quest to promote allonymbooks‘ novels to a wider readership, and as part of engaging in The Guardian’s quest to find independently published books for review, this week’s blog surveys some of the organisations and websites which offer a quality review process. Definitions of quality in the review are naturally dependent on the quality of the reviewer as much as the book, and a review generally says as much about the person reviewing as it does the subject of the review. But in this context, a quality review process is independent, generates a review of reasonable length and depth, and has no requirement for payment in exchange. Like independent publishing itself, the review process is a work in progress, but here are some suggestions of good places to find reviews of independently published books. Rather than cover ground already covered for alternative and science fiction by Dan Holloway in his Guardian blog, here are some sites which focus on other genres.
The HNS has been in existence for around 15 years, having been set up initially in the hope of reviving interest in what was perceived at the time as a declining historical genre. The Society publishes a printed review magazine, The Historical Novels Review, and its website includes all its more recent print and online reviews, including an Indie section, which is expressly for ‘electronically-published, subsidy-published or self-published historical novels’ where ‘historical’ refers to a setting that is at least 50 years in the past. Reviews of indie books are made on the basis of selection by a dedicated editorial staff and their reviewers are drawn from their membership, of authors and readers of historical fiction. Submitting an indie book for review is very straightforward – fill out a form of information about the book, and await a response from the editorial team who will contact you if they want to review your book. The reviews Continue reading →
After reading the comments which followed Dan Holloway’s recent discussion of effective ways to promote independently published novels, where it was suggested that authors could use the first 100 words of their books as a promotional tool, I considered using this blog entry to explore this approach. So here they are, around one hundred words from the start of my novel Equilibrium.
May 1903. There is surely no more fitting place for a disgraced housemaid to take her life than on the hidden stairs that slide beneath the Wapping wharves into the Thames. Out of sight they plunge into the lower reaches of the river, flights of stone and wood that at low tide lead to quiet shores but, when the business of the river is in full flow, pass utterly unseen beneath significant exchanges played out on grand piles above. The tide is on the turn but Martha cannot see that in the darkness. What she sees is the detritus of a day’s unloading as it smacks and scrapes in waves against the warehouse walls…
But then it occurred to me that if an effective sample is intended to provide a good flavour of the book, then is it really possible to do that with just the first 100 words? Or any 100 words? After all, did you ever see a film trailer that only showed the title sequence? Did you ever go into a bookshop and just read the first paragraph of a book before buying it?
One solution could be to bring together several 100 word extracts from throughout the book – perhaps half a dozen – rather in the style of a trailer, though hopefully not a selection that either leaves you not bothering to go on to read the book, or leaves you knowing how it ends. But as I was leafing through the Continue reading →