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Guest Post by Tahlia Newland of Awesome Indies

This week Tahlia Newland, founder of Awesome Indies, writes a guest post about the importance of review sites in the new publishing

 

The advent of ebooks and print on demand technology have revolutionised publishing. For the first time ever, it is relatively cheap and easy for anyone to publish a book. That is wonderful news for the authors with excellent stories who just missed out on getting a publishing deal. Such authors can now take their books directly to their readers, and if they have a professional attitude, get the help they need and follow the exact same steps as those taken by a traditional publishing house, their book can be as good as anything put out by a mainstream publisher.

In that scenario the reader gains access to many great books that they would never otherwise see, sometimes for no other Continue reading

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Indie Book Reviews (1)

This week Evie Woolmore posts her first round of reviews of indie-published books. Continue reading

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Joining the reviewers: a bit of give and take

In this week’s blog, Evie Woolmore discusses her decision to join Awesome Indies as a reviewer.

In the last blog of 2012, it was noted that I had exchanged one of my books, Equilibrium, for review with Tahlia Newland, author of Lethal Inheritance. It was an interesting experience, knowing that I was going to get a thoughtful review from someone who genuinely cared about providing an opinion – not unlike the editorial experiences I have had as an author, and that I have provided in my other professional lives. The blog suggested that the exchange aspect was not part of the rules of the new game, particularly not for the other reviewer. But it got me thinking.

What if – in this raw, still evolving world of indie publishing – I could consciously participate not in making rules as such, but in establishing a community of indie writers who – rather than waiting for print publishing reviewers to review our work – collectively contribute to establishing a strong, credible review culture of our own work that promotes quality.

Admittedly, there are some who will think that getting indie writers to review other indie writers is like asking British newspapers to regulate themselves. Pointless, and unlikely to contribute to a raising of standards. But that is to make a few assumptions that I think we can challenge.

1. Indie writers will always scratch each other’s backs, giving flattering reviews in exchange for flattering reviews. Yes, some people operate on that basis. Let’s not lie about it, let’s not pretend it isn’t true. Follow me, I’ll follow you; praise my book, I’ll praise yours. Even print-published writers have been going to extraordinary lengths to promote Continue reading

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The Story So Far…

The last few months since the first allonymbooks blog was published has been a period of slow but distinctive change in the arena of independently published books. British book chain Waterstones have embraced the technological shifts by stocking Kindles in their stores, though still show no sign of having the capacity to embrace the indie book market. A leading British newspaper, The Guardian, has begun to publish reviews of indie books, though some work is still to be done by them to define how they can most effectively explore that category of published material without getting ensnared in some preconceptions about the quality and content of the books they will be reviewing.

And allonymbooks has become part of an ever-expanding debate about quality, process, benefits, pricing and promotion of indie books, joining with other authors to challenge assumptions about how these books and their authors should be received and considered by the readership and the publishing marketplace.

So what have we learned?

All fur coat and no undergarments?

A non-publishing acquaintance said the other day they were in awe of how much wordage allonymbooks had generated in the process of publishing and promoting Evie Woolmore’s books. On the contrary, however, in terms of the unfettered stream of tweets and posts emitted by other authors, allonymbooks has been rather mute in comparison, Continue reading

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Indie Book Review Sites (1)

As part of our quest to promote allonymbooks‘ novels to a wider readership, and as part of engaging in The Guardian’s quest to find independently published books for review, this week’s blog surveys some of the organisations and websites which offer a quality review process. Definitions of quality in the review are naturally dependent on the quality of the reviewer as much as the book, and a review generally says as much about the person reviewing as it does the subject of the review. But in this context, a quality review process is independent, generates a review of reasonable length and depth, and has no requirement for payment in exchange. Like independent publishing itself, the review process is a work in progress, but here are some suggestions of good places to find reviews of independently published books. Rather than cover ground already covered for alternative and science fiction by Dan Holloway in his Guardian blog, here are some sites which focus on other genres.

The Historical Novel Society

The HNS has been in existence for around 15 years, having been set up initially in the hope of reviving interest in what was perceived at the time as a declining historical genre. The Society publishes a printed review magazine, The Historical Novels Review, and its website includes all its more recent print and online reviews, including an Indie section, which is expressly for ‘electronically-published, subsidy-published or self-published historical novels’ where ‘historical’ refers to a setting that is at least 50 years in the past. Reviews of indie books are made on the basis of selection by a dedicated editorial staff and their reviewers are drawn from their membership, of authors and readers of historical fiction. Submitting an indie book for review is very straightforward – fill out a form of information about the book, and await a response from the editorial team who will contact you if they want to review your book. The reviews Continue reading

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Guardian Books: A step in the right direction

Like many indie-publishing authors, allonymbooks was delighted to read Alison Flood’s blog last week in the Guardian newspaper, announcing that not only had she read her first self-published novel (Kerry Wilkinson’s first Jessica Daniel novel, Locked In), but that she was now looking for more. It is to her credit that she acknowledges some of her assumptions: that she was “expecting little”, that she expected the book had “only been through the filter of one person’s brain”, and that her instinct says that if a book is free, it probably isn’t much good. As readers of this blog will know, the issue of editing for content was discussed in a recent column, and it is a rather generalised preconception about the process of self-criticism that indie-publishing authors put themselves through.

Nonetheless, what cheers us is that the key points of Ms Flood’s blog were these. What is she going to read next from the indie-published realm? And how on earth is she to sift through the possibilities to settle on something that will be equally worth her time?

To begin with, her strategy is based on the Kindle free chart, which as she notes is a guide only to people reading the books, but not to their quality. But that too is of course a flawed assumption, as any reader of the Kindle self-publishing forums will know. The Amazon option to price your books for free from time to time is one that many authors employ simply to rocket their books up the chart and, as was noted two weeks ago on this blog, there is absolutely no evidence to suggest that a book that is downloaded is a book which is then read, Continue reading