This week, allonymbooks author Cadell Blackstock discusses the film adaptation of Lawrence Block’s novel A Walk among the Tombstones, currently being filmed in New York.
This blog doesn’t often cover issues of writing technique, not least because there are plenty of other authors, editors and bloggers out there covering the topic in great detail. Among them is a fond favourite of allonymbooks, the acclaimed New York crime writer Lawrence Block, whose many excellent books on writing technique are as brilliantly readable as they are thoroughly useful. Many years ago, I had the benefit of listening to Block wax lyrical on the power of the imagination for the reader. I was at a workshop in which another budding writer asked Block whether the many bars and churches visited by his dark and brilliant creation, the PI Matthew Scudder, were actual places in New York. The budding writer was concerned that if the places weren’t real, how would they be believable in the novel. Block very patiently defended his position that it didn’t matter if they were real or not, what mattered was that one wrote about them convincingly, for if they were real in the mind of the writer then they would be real in the mind of the reader. If one believed in a fictional character, then surely…?
That layer of trust between author and reader is always stretched when a book reaches adaptation stage and becomes a film or television programme. There are so many detectives, policemen and PIs who have been reinterpreted in the flesh that the path currently being trodden by Liam Neeson as he takes on the mantle of Matthew Scudder is not a new one. From Continue reading