LIMITED SPECIAL OFFER! Download Evie Woolmore’s Rising Up for free today and tomorrow!

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“A highly enjoyable novel, a blend of historical and contemporary fiction with a dash of spiritualism and magic realism” ~ Spiritual Wisdom Magazine

“One of the best books [on the Holocaust] I have ever read” ~ Katharina Gerlach

“Simple and beautiful, haunting and poignant” ~ Leigh Podgorski

To coincide with the Magic Realism Blog Hop 2014, download Evie Woolmore‘s haunting novel of the Warsaw Ghetto for free from Amazon , for two days only – 3rd and 4th August.

Tom Macindeor is an itinerant English teacher, spending the summer in Warsaw in the hope of finding out the truth about his grandfather, a Polish resistance fighter. But when he hears the voice of Ela, a young woman trapped in the Jewish Ghetto of 1942, a window opens not just on his past but the future of the ghetto and all those who live in it. Should he share what he knows of their fate, or will Ela’s search for the truth about her own family doom them both?

Find out why the Historical Novel Society’s reviewer recommends Evie Woolmore’s magical realist novels “to readers who enjoy historical fiction with spiritualist influences”

Find out more about Evie on her webpage, read an opening extract, or find out about what influenced Evie to write Rising Up.

COMING SOON! Download Evie Woolmore’s “Rising Up” for free for two days only!

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“One of the best books [on the Holocaust] I have ever read” ~ Katharina Gerlach

“Simple and beautiful, haunting and poignant” ~ Leigh Podgorski

Tom Macindeor is an itinerant English teacher, spending the summer in Warsaw in the hope of finding out the truth about his grandfather, a Polish resistance fighter. But when he hears the voice of Ela, a young woman trapped in the Jewish Ghetto of 1942, a window opens not just on his past but the future of the ghetto and all those who live in it. Should he share what he knows of their fate, or will Ela’s search for the truth about her own family doom them both?

Evie Woolmore‘s  haunting novel of the Warsaw Ghetto is downloadable for free from all Amazon sites on 3rd and 4th August 2014. Find out why the Historical Novel Society’s reviewer recommends Evie Woolmore’s magical realist novels “to readers who enjoy historical fiction with spiritualist influences”

Find out more about Evie on her webpage, read an opening extract, or find out about what influenced Evie to write Rising Up.

Indie Book Reviews (13): British Indie Authors (4)

This week, Evie Woolmore reviews a vampire YA novel by a young British indie author.

Runaway Girl by Elaine White (at Amazon sites including Amazon UK)

I’d be the first person to admit that I don’t read much vampire or gothic fiction; my last dip into the genre was Ann Radcliffe’s classic late eighteenth century gothic novel, The Mysteries of Udolpho almost twenty years ago, and I haven’t even seen the box set of Buffy. Nonetheless, maybe being new to this kind of fiction allows me to see it with fresh eyes, and appreciate this book as a novel in its own right, a proper story rather than seeking originality in the genre.

There’s certainly a lot of freshness about Ms White’s book, and it has a fast-paced opening with plenty of characters making an early appearance. Certainly it takes a certain flair and energy to keep several inter-connected storylines moving along, and the opening premise of a search for a figure of great significance is always going to get things off to a swift start. The reader is quickly drawn in, not merely by the compelling experiences of the characters we meet but by the comfortably engaging worlds that Ms White paints for us.

What is obvious, even to the relative vampire novice that I am, is that the fracturing of Amelia’s soul is a clever idea both in story terms and in reaching out beyond the vampire genre to readers with an interest in magical realism and spirituality. Magic aside, it’s an interesting way to explore the tensions in all our personalities and there are certainly enough tensions in this book to keep the reader thoroughly engaged.

It says as much about my reading background as it does this novel that at times I felt there was just a bit too much going on, but that is the style of fantasy fiction born of imaginative and complex worlds and if it didn’t suit me as a reader then that is, as I say, as much a comment on me. Probably if I’d had more experience of this fiction, I would have got everything straight in my head, because I would have gone into reading it with more refined expectations of what I wanted to read in this sort of novel.

Certainly, Elaine White is an imaginative writer who has crafted a very readable book, and it’s clear that without limit to that imagination, she has much more to offer her readers.

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You can find out more about Elaine and her writing at her website. You can find out more about Evie Woolmore and her magical realist novels here.

 

Coming Soon: Magic Realism Blog Hop 2014!

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allonymbooks is delighted to have been invited to join this year’s Magic Realism Blog Hop by magical realist author and reviewer Zoe Brooks. Last year’s blogs were fascinating, a rich range of perspectives from talented writers of atmospheric and engaging writing. If you are a magical realist author and you want to sign up, then you can visit Zoe’s blog and register yourself here.

The Blog Hop runs from 6th-8th August, so come back and see us then, when allonymbooks’ own conjuress of magical realism Evie Woolmore will be talking about her relationship with the sixth sense…

 

Evie Woolmore joins Ascribe

The Salt Factory by Evie Woolmore     Cover Design for Equilibrium by Evie Woolmore

allonymbooks author Evie Woolmore has joined Ascribe, the review site for indie published books where every book has to carry a recommendation from a publishing professional. If you are looking for quality fiction with believable ratings, then Ascribe is a great place to start. Founder Mark Farrell will be blogging here soon about why he set up the website, but in the meantime, go and find out why other writers recommend Evie’s novels, and what other great indie novels are worth reading.

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When standing out just isn’t enough

This week, allonymbooks author Evie Woolmore shares her latest experience with a literary agent.

As regular readers of this blog will know, I am happy to be publishing independently, and have largely enjoyed my experience with publishing direct to Kindle. But when I came across Susanna Kearsley’s novel The Firebird (which I reviewed recently) and realised that there were some elements in common with my own novels, I thought I would approach Kearsley’s literary agent, Felicity Blunt, to see if she thought the same. After the usual seemingly endless waiting period (in fact, a modest 4 weeks, which is short by many standards), I received this week a reply.

The Salt Factory by Evie WoolmoreWe enjoyed reading these sample chapters, which stood out from the many we
receive. Ultimately, though, we didn’t feel strongly enough to take the
project further, and therefore I’m afraid we are not able to offer you
representation. This is of course an entirely subjective response, and I
encourage you to continue with this project, and wish you every success with
your writing.

I wasn’t surprised, nor was I disappointed. Perhaps I shouldn’t have made so plain in my covering letter that I was writing out of curiosity as much as desire for representation. But what struck me was the same question that always arises: what exactly are they looking for? A book they love, or a book that stands out? Everyone wants to feel strongly about books they read: therein lies the pleasure. But doesn’t pleasure belong to the reader? Surely from a commercial point of view, as the seller of books (agent) to another seller of books (publisher), you would rather represent a book that stands out, something original or different, something that isn’t like all the rest. But apparently that still isn’t the case. For if the book market has not moved on then nor has the same reply I have heard so many times before, from agents and editors alike: “I just didn’t feel strongly enough.”

And yet I do. I do feel strongly enough about writing original fiction to publish it myself.

Evie Woolmore’s novels The Salt Factory, Rising Up and Equilibrium are available from all Amazon sites, including UK and US

 

Magical Realist Book Review: The Firebird by Susanna Kearsley

This week, allonymbooks author Evie Woolmore, herself a writer of magical realist historical fiction, reviews The Firebird. 

I’m a relative latecomer to Susanna Kearsley’s work, as the first of what I would describe as her magical realist novels, Mariana, was published in 1994. Kearsley’s books could be defined broadly as historical fiction, where the past offers a portal for the present day heroine to witness history first hand and understand the truth of her own situation in some respect. It could be more simply described as time travel fiction, but what drew me to reading The Firebird (2013) was the focus on a more specifically psychic skill, psychometry or psychoscopy. This is the ability to ‘read’ something of an object’s past by touching it, explained by the psychometrist picking up traces of the energy of past owners or inhabitants. The word psychometry was coined in the nineteenth century, and literally means ‘reading the soul’, which in itself is an apt metaphor for this particular novel.

The Firebird‘s heroine, Nicola Marter is an expert in Russian art, and when she comes into contact with a small carved wooden bird, she instantly senses something powerful and significant in the object’s past, that it once belonged to the Russian Empress Catherine. Compelled by the tragic circumstances of the bird’s owner, she seeks the help of an old friend whom she hasn’t faced for many years. Rob McMorran possesses a psychic gift of a strength matched only by his purity of spirit, and in revisiting her past decision to deny her own ability – and her feelings for Rob – Nicola becomes able to revisit the past. The novel then becomes two stories in one, the events which lead to Nicola’s acceptance of her own ability and the events which lead us to the bird’s original owner.

Kearsley’s approach to historical fiction – and to the historical story in the novel – is as thorough as any fan of traditional historical fiction would expect. Indeed, The Firebird is the second in the Slains series, novels which draw on the rich and dramatic history of Scotland’s Slains Castle. Kearsley is detailed, accurate, and readily gifted at reimagining the past for her reader, although at times I think the historical authenticity slightly weighs down the pacing. There are also an enormous number of characters in the historical story, and in the last third of the novel, as the plot became more complex, it became occasionally difficult to keep track of everyone, especially after a break in reading. This is though a mark of Kearsley’s determination to tell a historical story properly, and not to oversimplify what were key historical and cultural events in Scotland’s past.

My key reason for reading this book, of course, was the paranormal aspect, and the reason why I would broadly call her novels magical realist. Not having read any of her other books, I was struck immediately by two things: the direct way in which Kearlsey introduces the psychic ability into the story, and Nicola’s implied sense of shame at her ability. It becomes apparent as the book goes on that Nicola’s attitude to her ability is complex: having volunteered years before for scientific tests of her ability, she did not complete the process and her emotional entanglement with and abandonment of Rob has left her with unresolved feelings about everything. Indeed, the direct acceptance of the psychometry as valid, right from the outset of the novel (we are left in no doubt that Nicola believes what she has ‘seen’, even if it has left her unsettled), is somewhat at odds with Nicola’s doubts and uncertainties about her own psychometric ability: she is afraid of what Rob can do, and of what she might be capable of doing, but is never in any doubt about the validity of the ability.

This comes to a head when Nicola must decide whether to admit to the owner of a painting she has been sent to buy that she knows it is a fake because she has seen its true and far more contemporary artist painting it when she touches the picture. Rob confronts her reluctance to admit publicly who she truly is and thus who he is too, and although Nicola ultimately accepts her ability, I was left with the sensation that this was ‘a cross to bear’, so to speak, for all involved. The potential for being a social outcast in any community which did not readily accept their psychic gift, and the unending requirement for proof of ability, is a common theme in any novel which tries to resolve or explain the paranormal, and in many respects The Firebird is framed as Nicola’s search for her own authenticity. I was left wondering though what I was meant to believe about psychometry, which was a curiosity because the novel is constructed around that original assumption that it is valid. We can’t access the careful historical truth Kearsley has written for us, if we don’t believe that what Rob and Nicola can do is actually possible. And yet they are arguing about how publicly acknowledging that ability is part of what makes it genuine.  I felt slightly as if I was being given something at the same time as it was being taken away from me. And I think this is the core conundrum of what makes novels which try to reconcile the ability so problematic. And in this case, paradoxically, we need an explanation for the journey from fiction (where anything is possible) to fact (the historical aspects of the story).

Would I recommend it? For fans of historical fiction, yes, without question. For fans of magical realism, probably not, because Kearsley doesn’t really say anything new about psychic ability, or craft any originality with it as a story element. But I will read other books of hers, if only to satisfy my curiosity about how she uses this time travel device in other contexts.

To find out more about Evie Woolmore’s historical magical realist novels The Salt Factory, Equilibrium, and Rising Up, visit the pages on this website or go to Amazon to download samples.